Margery Kreitman

Margery started her career as a playwright in 1985 with the Cable Car Award-nominated comedy Please Wait for the Beep, produced in San Francisco by Theatre Rhinoceros, The 5th Estate Theater in Los Angeles, The Stonewall Repertory Theater in New York City. Other full-length plays include the Jane Chambers Award winner, Picture Me produced at Theatre Rhinoceros, and the critically acclaimed lesblan comedy, Sax and the Single Dyke produced at Theatre Rhinoceros.

Her solo shows, Home Plates, which received two Dean Goodman Choice Awards (formerly Dramalogue), Mug Shots and Thirty Years Later were produced in San Francisco at The Exit Theatre, Venue Nine and The New Conservatory Theatre. Her most recent solo show, Bouncing received two staged readings, one at the Magic Theatre, the other at the O’Hanlon Center for the Arts.

Margery co-wrote and performed in the two-woman comedy Digitally Yours, and Digitally Yours Upgrade 98, produced by Theatre Rhinoceros and The New Conservatory Theatre.

Margery’s work has been produced or read at Brava, Theatre of Yugen, Jon Sims, The Phoenix, and The Plush Room.

One acts and short plays include: I’m Leaving produced by BareBones Theatre, and The Absolute Theater at the Bernice Street Playhouse and The New Conservatory Theatre; Cat Nip, produced by The New Conservatory Theatre; Holiday on Ice, Woman’s Will Productions; Holding produced by Three Wise Monkeys at The Exit, and Theatre of Yugen; and It’s Your America, produced by Theatre Rhinoceros.

She has been a member of the teaching faculties at ACT’s Young Conservatory, The Academy of Art College, and The New Conservatory Theatre. Margery is a Z Space Resident.

She has been published in Scenes and Monologues for Young Actors, Smith and Kraus Publisher, and The Laguna Writers Magazine.

Contact Margery.