Male, 60, 5′8″, 160lbs and dieting, WASP/Norwegian/Mexican-Indian Jew/queer, 15 plays and counting, including:

• CHINESE ART OF PLACEMENT, originally produced by Phoenix Theater in San Francisco, and subsequently in Washington D.C. Dallas, Chicago, New York, Toronto, Melbourne, winner of San Francisco Weekly’s Black Box Award for Best Play, nominated for Bay Area Theater Critics Circle’s Award for Best Original Script, “Best Bet” Washington Post, “Critic’s Choice” Chicago Reader, published in PLAYS FROM WOOLLY MAMMOTH, Broadway Play Publishing, Inc.

• BILLY NOBODY produced by Woolly Mammoth Theater, Washington D.C., nominated for Helen Hayes Award for Best New Play.

• TABLES AND CHAIRS, scene published in SCENES AND MONOLOGS FROM THE BEST NEW PLAYS, Meriwether Publishing Ltd.

Finalist Eugene O’Neill Playwrights Conference: A PENCIL FOR MISS SAPINGTON, RED TULIPS, and WALLS OF GLASS.